Kannum Kannum Kollaiyadithaal (2021)
Hindi Dubbed
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PLOT/STORY REVIEW:
Kannum Kollaiyadithaal is a fascinating con story. It is two kinds of cheats folded into one: innovation and old fashioned con of tempting ladies. Dulquer Salmaan, oneself admitted auto and device crack that he is, in actuality, is an ideal fit for the character. As the wide-looked at young lady with a beguiling face, Ritu Varma breezes through her parts alongside Niranjani Ahathian (who is additionally the film's ensemble originator). It is likewise invigorating to see a business film figuring in respectable screen time for not one, but rather two lead female characters; nonetheless, the reality stays that the female entertainers' characters are not fleshed out close to as enough as the male leads.
More noteworthy is Rakshan as Kallis, the VJ who appears to have made the change rather flawlessly to the big screen. His jokes, screen presence and surprisingly his decision of outfit carries a grin to your face. It is something that Tamil film analysts have, of late, suspected to have become terminated from films: parody.
Rakshan is truly amusing, and is by all accounts a find of the decade — if he picks films shrewdly. What likewise works in support of himself is that Dulquer Salmaan wouldn't fret moving to one side for the one who unmistakably has better pizazz in parody to take the centrestage.
Siddharth (Dulquer Salmaan), a nerd, is attempting to charm Meera (Ritu Varma), a regular young lady nearby. What's more, she acknowledges! Kallis, as well, gets into a relationship with Meera's companion Shreya (Niranjani Ahathiyan).
Kannum Kollaiyadithaal is a winsome heartfelt thrill ride with beguiling leads and edge-of-the-seat minutes. Desingh Periyasamy shows a pizazz for this material both in his composition and making. In spite of the fact that his reason isn't new, he figures out how to infuse newness into the scenes with astute composition. Take Kallis. He at first seems like simply one more kidding companion that we go over in our movies, yet the chief step by step transforms him into an equal lead who is utilized to adequately ease up the heavier scenes. Indeed, even a breakdown scene of this character is loaded up with the perfect measure of humor to guarantee that things don't turn excessively genuine.
What's more, when the film transforms into an appropriate heist film in the subsequent a large portion of, the shift feels consistent. The heist divides, as well, have the perfect measure of rushes and snickers. The specialized group guarantees that the blustery mind-set maintains. Masala Coffee and Harshvardhan Rameshwar's tunes and score are enthusiastic while KM Bhaskaran gives the wealth that the content merits with his visuals. Indeed, the more extended running time doesn't feel like an issue at all here, however the initial 15-20 minutes are fairly disappointing.
The chief additionally doesn't make a decent attempt to make us love his characters, and rather allows his entertainers to do the sorcery. In Dulquer and Ritu, he has entertainers who can easily be charming and the two stars, are in such fine structure here. However, it is Gautham Vasudev Menon who ends up being Desingh's guaranteed winner. The chief's characterisation feels like a gesture to the legends in his own movies, yet it is just eventually, when we get a diverting self-referential scene that conveys the film's greatest snickers, that we understand how well Desingh has played us with this character.
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